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While Cruise was a long-time newsletter reader and tape collector, his lucha libre exposure was limited to what little he could get his hands on. Tenay, of course, was an incredible expert on all of the wrestlers, and he gave me all kinds of notes and all kinds of briefings. I really went in there confident, but at the same time completely dependent on Mike. You could always sense that there were things happening, but you could never quite get a grasp of it.

It was like trying to grab fog in your hand; there were always these misunderstandings, and once I was assigned to do it, nobody followed up with me. It was all very strange, because this was clearly a big deal for WCW, and yet corporately, there was very little communication. With WCW imposing such strict restrictions, the show went off the air just over two hours and 10 minutes into the scheduled three-hour window.

In spite of some logistical problems, from top to bottom, it was an incredible card, as Rey Mysterio Jr, Eddy Guerrero, La Parka, El Hijo del Santo, and many others were exposed to a new audience for the first time.

Arguably, it was the most dramatic match of the year in the U. The announcing was almost universally praised, with Cruise going above and beyond in calling his first pay-per-view event, and Tenay making a statement with his debut as a colour commentator.

I was overjoyed. The afterglow of the show meant little to nothing for AAA. With no future pay-per-views and no new American TV deals to supplement its time-slot on Galavision which had very limited U. S exposure, although a European version that included AAA was preset on the satellite receiver supplied by Sky TV , there was no way for it to translate to money for the promotion.

The American talent all benefited from the exposure, with Louie Spicolli getting a WWF contract for his effort, but that was about it. Art Barr died in his sleep on November 23, less than three weeks after the show. AAA lost one of its top heels, and about a month later, the Mexican government heavily devalued the peso against the U. This led to hyperinflation in Mexico, and suddenly, the top U. Within weeks of what is almost universally considered one of the greatest matches in lucha libre history, the heel team was gone from the company.

We had an exclusive understanding, but there were a lot of people that were trying to undermine us While not a huge presence yet, it seemed to be committed to some kind of AAA lucha libre show as an anchor programme on the network. From there, details slowly trickled out. After months of rumours about a reality TV component to the programming, AAA finally shot the TV tapings, released more details and some trailers, and then aired the show on October Having said that, there was a dramatic uptick in match quality and crowd heat when the AAA talent came to the fore, and while Matt Striker needs to be reigned in on play-by-play, Vampiro is a surprisingly solid colour commentator in both English and Spanish.

Furthermore, on the first episode, Prince Puma Ricochet and Johnny Mundo John Morrison had an excellent match that is worth going out of your way to see Indeed, the Hollywood aspects actually make Lucha Underground feel quite fresh.

This may be an entirely different product from the regular AAA show that airs in Mexico, but in Lucha Underground , the group has finally put its money where its mouth is. Karen Barnes. Cal Poly Pomona - Department of Architecture. Ponoma, California , USA. Design by AmyChris.

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